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Seals & Crofts were devoted to the Baha'i faith, and believed that by writing about life itself, many meanings would emerge for the listener. What it offers are much beefier, slicker takes on cuts from Year of Sunday and Summer Breeze on the one hand and seemingly out-of-left-field originals on the other. The hit single from the record, “You’re the Love,” is a decent piece of disco pop co-written by longtime producer Louie Shelton. Your email address appears to be invalidAt least one box must be checked for signup, Check here to get the Album of the Day delivered to your inbox, Check here to get the latest news, releases and events from Rhino. He migrates to the washroom and he opens up the door. Million Dollar Horse Lyrics: 6. Other than the sure-fire hit single “Diamond Girl,” “We May Never Pass This Way (Again)” is the other great song from the record and it barely missed cracking the Top 20. “In Tune” in particular zips along quite nicely. Still, there are highlights. If you’re into soft rock then you can’t necessarily go wrong with this album – but even as a S&C apologist I recognize that there’s not a great deal aside from its three best songs to make it stand apart. A Tribute To Abdu'l-Bahá 2. So all in all, not a bad way to cap off a mostly excellent career. You sure do shine. Sudan Village, as it happens, sits somewhere in the middle. Other tracks of note include “Blue Bonnet Nation” — a peppy, electric song that is surprisingly rocking — and “Freaks Fret,” a smooth instrumental workout that recalls the arrangement on “Funny Little Man” from the Summer Breeze album. It is the title track of their fifth studio album, Diamond Girl.Like their previous top 10 hit "Summer Breeze", "Diamond Girl" also reached No. Stream ad-free or purchase CD's and MP3s now on Amazon.com. In 1975, Seals told Melody Maker that "Summer Breeze" was "A very simple song about a man coming home from work and hearing the dog barking and things like that, and to a lot of people the song's about looking for security. Forever Like the Rose: 11. Ruby Jean And Billie Lee. If Takin’ It Easy hinted that the duo of Jim Seals and Dash Crofts might finally be a spent creative force, The Longest Road confirmed it. Perhaps as a reaction to the backlash against Unborn Child, the subject matter of I’ll Play for You is decidedly neutral. In any case, the Seals & Crofts “identity” that I said was missing on Takin’ It Easy is just as MIA on The Longest Road. Warner Bros. dropped the pair from the label, and other than some subsequent appearances at Bahá’í gatherings, a brief reunion tour in the early ’90s, and a Dash Crofts 1998 solo record, they pretty much walked away from the music business altogether. “I’ll Play for You,” replete with a string section and some Dixieland jazz flourishes, features a strong main melody and excellent vocal harmonies. Part of earth where. He gets up every morning and he lights upon the floor. The group reaches a little too far in places — the horn arrangements in “Sea of Consciousness” are a bit much, but the intertwining dual vocals are already beautifully formed. I can’t say for certain that Crofts had checked out by the time this was recorded, but I’m going to assume so. Fiddle in the Sky: 10. Explain your version of song meaning, find more of Seals & Crofts lyrics. The sixth album, released in 1974, was the controversial UNBORN CHILD.Written shortly after Roe v.Wade, Seals & Crofts expressed their pro-life position in the title song (and a liner note quotes their prophet: "In the rose garden of changeless splendor, a flower hath begun to bloom..."), which charted as a hit and created a huge dilemma for radio stations. Diamond Girl - you sure do shine Glad I found you - glad you're mine Oh my love you're like a precious stone Part of earth where heaven has rained on Makes no difference where you are Day or nighttime you're like a shinin' star And how could I shine without you When it's about you that I am Diamond Girl - roamin' wild Such a rare thing - radiant child I could never find another one like you Part of me is deep … It really sounds more like the kind of music bands like the Crusaders were pumping out around this time, not that there’s anything wrong with that. Comment and share your favourite lyrics. So what to make of Traces, the first proper Seals & Crofts studio record in almost 25 years? Dust On My Saddle (Mud On My Boots) 8. Songs like “Purple Hand” and the haunting “Hollow Reed” feel a little more complete and fully-formed than similar ones on the duo’s debut. Nobody Gets Over Lovin' You Lyrics: 2. Neither is iconic in any way, but they’re not bad either. Live albums tend to fall into one of two categories: essential or inconsequential. Martin Pardys. Most of the attention for Unborn Child was focused on the title track, a fiercely pro-life number written in the wake of the Roe v. Wade Supreme Court decision. Still, if you’ve got to leave a certain percentage of your fans behind, it’s best to do it with an album that sticks with them, and DIAMOND GIRL certainly achieved that in spades. And the track was produced by Louie Shelton. Tracks such as “Tin Town” and “Leave” clearly bear the imprint of The Band, albeit in a more laid back way. Important: The song above is NOT stored on the Chordie server.The original song is hosted at www.azchords.com.Chordie works as a search engine and provides on-the-fly formatting. Glad I found you, glad you're mine. It even features its own pair of crack jazz musicians, Chick Corea and Stanley Clarke. Intone My Servant Lyrics: 3. The meaning is pretty straightforward, the guy's in love with the girl and compares her to a gem. But more than that, they simply picked the perfect time to issue their best album. The pair only wrote one song on the first half of the album (“Midnight Blue”), and it is the least memorable track on it. Ashes In the Snow: 4. And those new chapters reveal challenges and obstacles that are really no more than pages of air and blowing winds in the breeze of a Midsummer afternoon. It's Gonna Come Down (On You) Lyrics: From the album DIAMOND GIRL (1973) / Once in morning contemplation, soft rain conversation. 4 on the Adult Contemporary chart. This set of “wandering troubadour music” features some punchy production, and their distinct duo of countrified mandolin and acoustic guitar. Seals And Crofts - Diamond Girl Album Lyrics; 1. 40 years ago this week, the title track of Seals & Crofts’ fifth studio album made its debut on the Billboard Hot 100. Check out Diamond Girl by Seals and Crofts on Amazon Music. The album contains a number of different musical styles and themes. Forever Like the Rose: 11. “Dance by the Light of the Moon” is a deftly composed pop/country tune with a little fire and some neat steel pedal guitar in the chorus, while “King of Nothing” — the second and last single from the album — and “Ledges”  are breezy and catchy enough to overcome stuffy production. I mean, they actually pulled the “Moon/June” rhyming card. Not that the group had a ton of crunch to begin with, but this is a little too polished. Enter your email below to be the first to hear about new releases, upcoming events, and more from Rhino. Seals & Crofts – Diamond Girl law4 had a comment on Diamond Girl rated up by force263 . Of all the albums Seals & Crofts had released to date, this sounds the most firmly rooted in the stereotypical ’70s soft rock sound. Seals and Croft, a musical duo that was active on-and-off from 1969 to 2004, wrote this song. Birthday Of My Thoughts: 6. It was also the end of the duo’s tendency to embrace the acoustic side of music, as they henceforth tended to focus more on a band-oriented approach to their tunes. Ashes In the Snow: 4. "Diamond Girl" is a song by American soft rock duo Seals and Crofts, released as a single in 1973. Oh Ruby Jean, it doesn't seem like a long, long time, since we were born again. The rest of the album explores familiar styles for the pair but has a laser focus that previous records lacked. A Tribute To Abdu'l-Bahá 2. The music is in turns propulsive and delicate, and there is no doubt that this duo has had years of experience leading up to the release. I have been listening to some of their album tracks on YOUTUBE & am liking what I hear. It all sounds very professional and competent, mind you, and even I can’t resist tapping my foot to “Breaking In a Brand New Love,” but it just feels all wrong. Ruby Jean and Billie Lee Lyrics: 10. “Red Long Ago” features excellent vocal harmonies and a fairly epic arrangement — for Seals & Crofts that is — but there are too many pretty but ultimately inconsequential soft rock ditties like “Goodbye Old Buddies,” “Million Dollar Horse,” and “Baby Blue” to recommend this LP to anyone but fans. Diamond Girl cemented the move toward a band-oriented approach, which Seals and Crofts would later come to lament. 6 hits "Summer Breeze" (1972), "Diamond Girl" (1973), and "Get Closer" (1976).Both members have long been public advocates of the Baháʼí Faith. Of the two totally new songs, “Change the Copper Into Gold” is an effectively low-key number with a modern, synthesized bed, while the more upbeat and catchy “Paint You” wouldn’t sound out of place on a station specializing in modern adult contemporary. There was once a time when the term “soft rock” wasn’t used as a pejorative, but that was long before I started listening to music. Seals and Crofts were an American soft rock duo made up of James Eugene "Jim" Seals (born October 17, 1942) and Darrell George "Dash" Crofts (born August 14, 1938). Seals And Crofts - Diamond Girl Album Lyrics; 1. But for a time in the 1970s, they were among the finest purveyors of pop music in America — regardless of label. They even get their children involved, as Juliet Seals and Amelia Crofts handle some vocals. Let me hear you sing, let your voices ring throughout cities of men's hearts. Into the dazzling light, uniting black and white. So it’s not entirely surprising that the record peaked at #133 on the Billboard album chart. 40 years ago this week, the title track of Seals & Crofts’ fifth studio album made its debut on the Billboard Hot 100. Diamond Girl - you sure do shine Glad I found you - glad you're mine Oh my love you're like a precious stone Part of earth where heaven has rained on Makes no difference where you are Day or nighttime you're like a shinin' star And how could I shine without you When it's about you that I am Diamond Girl - roamin' wild Such a rare thing - radiant child I could never find another one like you Part of me is deep … It hit #6 in 1972, the highest chart position they would attain. Some of the lyrics are about being born. You are the children's eyes, and I'm the days gone by. Yes, the end result was further success, but for purists, the best of Seals & Crofts’ work was behind them. This is the crucial departure point for Seals & Crofts, and I can totally tell that they were feeling burned out around this time. The true gem of Unborn Child, for me at least, is “Follow Me,” a stunningly beautiful, melancholy, and clutter-free number that takes its place among the duo’s best material. "Closing Time" by Semisonic was written by the lead singer when his wife was pregnant. If any act from the era deserves to have their legacy re-evaluated, it’s the duo of Jim Seals and Dash Crofts. "Get Closer" is the title track from Seals & Crofts eighth studio album, released when they were surfing the peak of their success. And it’s a good thing Warner didn’t. Dust On My Saddle (Mud On My Boots) 8. Learn the full song lyrics at MetroLyrics. I hope by the end you’ll agree with me that just because music is soft doesn’t mean it’s not good. That’s not to say this is a bad album, it’s just not really a S&C album. … Egypt, Israel & America: 9. Thank you for your reviews of these albums. The album didn’t chart at all, and the “First Love” single barely cracked the Top 40. There’s a reason why this was the first — and for a time the only — S&C studio album to be issued on CD. The songwriting is also more consistent and nuanced, with none of the clumsiness that popped up on the first two releases. Break out your overalls and moonshine, because it’s time for hoedowns and hootenannies — “Arkansas Traveller” and “Eighth of January”! Nine Houses Lyrics: 5. Original lyrics of Diamond Girl song by Seals & Crofts. Seals & Crofts – Diamond Girl law4had a comment on Diamond Girlrated up by force263. 6 on the Billboard Hot 100, and No. Advance Guards: 3. Often in our lives we step through such curtains into a new chapter. It's Gonna Come Down (On You) Jessica. Often in our lives we step through such curtains into a new chapter. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Tumblr (Opens in new window), Click to email this to a friend (Opens in new window), Postcards from the Past #3: Merry Christmas from Bethlehem, PA, Celebrate Thanksgiving with the Navy Pacific Reserve Fleet (1952), Kodachrome Memories #7: Halloween Memories (1950s & 1970s), Brochure Beauties #1: “How to Buy Central Air Conditioning” (Sears, 1973). The slightly dour and sparse “Golden Rainbow” features some nimble guitar work, while the soaring choruses on “Castles in the Sand” help make it one of my all-time favorite S&C tunes. Sing with such love and a peace they've never known. (Previous editions of this series covered Genesis, Vince Guaraldi, and David Lee Roth.). Seals & Crofts Lyrics. Diamond Girl. Intone My Servant. The opening cut, “Stars,” is a late-period Steely Dan song for people who hate Steely Dan. The centerpiece of Sudan Village is the nine-and-a-half-minute instrumental jam “Thunderfoot,” which opens the second side of the LP. It’s a simmering, funky workout that is really quite good but feels utterly out of place on a Seals & Crofts album. That said, the final song here — “Passing Thing” — is a real gem and effectively hearkens back to the best moments from Summer Breeze. Heaven has rained on. The result is an album that’s still highly melodic — and definitely still rooted in country and folk — but has a little more bite and harmonic complexity. Alan Bershaw of Paste Magazine described the song as “the infectious title track” of the album, praising the way that its lyrics are “skillfully depicting the love for a woman or a commitment to God, depending on how one interprets them.” (The latter aspect is no surprise, given that the duo was famously affiliated with the Baha'i faith.) Standin' on a Mountain Top Lyrics: 9. Seals And Crofts - Diamond Girl Lyrics. And with lines like, “Oh unborn child / if you only knew just what your momma was plannin’ to do / You’re still a-clingin’ to the tree of life / but soon you’ll be cut off before you get ripe,” it’s hard to imagine how the band could not alienate some people. So that’s what this edition of “Get to Know…” will set out to do. Get all the lyrics to songs by Seals And Crofts and join the Genius community of music scholars to learn the meaning behind the lyrics. For their sophomore effort, Seals & Crofts threw a little grit into the mix. (lyrics and music by James Seals & Dash Crofts, 1969) From the album DIAMOND GIRL (1973). Very little of the duo’s original identity is intact on Takin’ It Easy. Lyrics to Diamond Girl by Seals & Crofts from the Diamond Girl album - including song video, artist biography, translations and more! Although the duo was clearly still the focus of the music, they were now part of a much bigger machine. These days it’s just lazy music critic/fan shorthand for “boring” or “bland.” Seals & Crofts often gets trotted out as one of the textbook examples of the bad kind of soft rock, and in all honesty it’s not entirely undeserved. Diamond girl, you sure do shine Glad I found you, glad you're mine Oh my love, you're like a precious stone Part of earth where heaven has r Production-wise, Unborn Child is lush and a bit dense compared to its predecessors. It’s the perfect marriage of the duo’s fully-developed artistic and spiritual sides with their new-found pop songwriting skills. Birthday Of My Thoughts: 6. Well on the plus side, the harmonies still sound sweet nearly a quarter century after the fact. You're friends are gone. It helps to wash out some of the bad taste from The Longest Road, and provides a little bit of musical closure. Well firstly, there is very little in the way of new material here. It was the group’s highest showing since “Diamond Girl” in 1973. Year of Sunday had the makings of a commercially successful album, minus one important thing — a great single. Most of the songs were co-written by Jim Seals and Brian Whitcomb, who I know nothing about. Post was not sent - check your email addresses! Standin' On A Mountain Top. The first clue that something is amiss here is that Dash Crofts received zero writing credits on this album. The title track, with benign lyrics like, “Hear the band, hear the band / Won’t you let the music take you, hear the band, did manage to hit #18 on the Billboard singles chart. Even on the songs the pair wrote themselves, I get a definite “going through the motions” vibe. Funny Little Man: 12. It was released in 1973 on Warner Bros. Records. “Baby I’ll Give It to You” features the return of Carolyn Willis on vocals and is so slick and mid-’70s contemporary you’d swear it was a Bee Gees B-side. Then there are the new songs, or at least older songs that debuted on this record. The breakthrough of Summer Breeze set the stage for even more commercial success, and they Seals & Crofts disappoint. Egypt, Israel & America: 9. Glad I found you. The whiskers on his chin tells him he's in, and then Through the paste and the soap, sees an image without hope. Dust On My Saddle. The remainder of Get Closer is a bit inconsistent. (lyrics by James Seals; music by James Seals & Dash Crofts, 1973) From the albums diamond girl (1973), greatest hits (1975) and The seals & crofts collection (1979). Seals & Crofts were devoted to the Baha'i faith, and believed that by writing about life itself, many meanings would emerge for the listener. Like the majority of their material, the jazz-influenced “Diamond Girl” was written by Jim Seals and Dash Crofts. Sorry, your blog cannot share posts by email. It is the title track of their fifth studio album, Diamond Girl.Like their previous top 10 hit "Summer Breeze", "Diamond Girl" also reached No. The roots rock sound on portions of Down Home is at least partially attributable to producer John Simon, who produced the first two albums from The Band. Guest star on backing vocals: Carolyn Willis. Same goes for “Put Your Love in My Hands,” although it more closely resembles Chicago’s more commercial output. Seals and Croft, a musical duo that was active on-and-off from 1969 to 2004, wrote this song. The whole thing is nearly crushed beneath layers of orchestration in places, especially the front half. You're like a precious stone. Diamond Girl cemented the move toward a band-oriented approach, which Seals and Crofts would later come to lament. And of course, not much needs to be said for the classic title track. With a growing fan base and backing from a major label, Seals & Crofts were poised for a commercial breakthrough. Most of the record’s 10 tracks are re-recordings of old songs, with only three that had never appeared on a Seals & Crofts album before. Diamond Girl is the fifth studio album by pop/folk duo Seals and Crofts. 6 on the Billboard Hot 100, and No. "Diamond Girl" is a song by American soft rock duo Seals and Crofts, released as a single in 1973. Jessica Lyrics: 4. Fiddle in the Sky: 10. Some of the lyrics are too flowery for their own good, such as on “Earth” (“Give me a castle in the sun / where rainbows have ends and the people are one” ), but I suppose at least of this can be attributed to the duo’s burgeoning involvement in the Bahá’í Faith. The rest of Side A is a mish-mash of sounds. As for the older songs, “Sudan Village” opens the album and is the best of the bunch, with “East of Ginger Trees” a close second. The medieval-style balladry (“Funny Little Man” and “East of Ginger Trees”) is delivered with less of an affectation, while the more rock-oriented songs (“Say” and “Yellow Dirt”) show that this is not music for wimps. Oh the material is strong (even though the overtly religious and spiritual lyrics seem heavy-handed now), but there are no irresistible hooks or catchy choruses — although “Sudan Village” comes close. Baby I'll Give It To You: 5. It’s almost impossible for me to listen to the opening track on this record, “Sweet Green Fields,” without hearing Busta Rhymes’ 1998 hit “Put Your Hands Where My Eyes Could See.” The latter samples the memorable bass line from the former’s verses, and to great effect. Oh Ruby Jean, last night I dreamed I was runnin' somewhere beyond the stars. Oh, my love. They are best known for their Hot 100 No. And those new chapters reveal challenges and obstacles that are really no more than pages of air and blowing winds in the breeze of a Midsummer afternoon. Then there’s the title track, the duo’s last U.S. Top 10 single. For if we do then we can make the trees and the hills and rivers wide. Can you tell me where i could get a cd of Seals and crofts”Lote tree? I can’t decide if that’s a good thing. As it stands, “Sweet Green Fields” is an excellent tune — a great mixture of sweetness and grit, and opens Get Closer in style. In 1975, Seals told Melody Maker that "Summer Breeze" was "A very simple song about a man coming home from work and hearing the dog barking and things like that, and to a lot of people the song's about looking for security. It’s a beauty for sure, and some lovely background vocals by Honey Cone’s Carolyn Willis really sweeten the deal. Nine houses that faith built, and all of us, all of us abuse them. It’s got the trademark S&C vocal harmonies and it’s worth listening to, but for the purposes of this overview I’m not going into detail on it. Makes no difference. They had earned enough of a following by now to attract the interest of Warner Bros. Records, which signed them in early 1971. Seals And Crofts's Seals and Croft Diamond Girl lyrics music video in high definition. Seals And Crofts - Diamond Girl Album Lyrics; 1. Watch official video, print or download text in PDF. Baby I'll Give It To You: 5. I called out to you, and you answered softly. The jazz-influenced title track hit #6, duplicating the peak of “Summer Breeze.” Personally, I prefer the less-polished, more organic sound on Summer Breeze, but I can certainly understand why Diamond Girl hit it big. The title track sounds like an Eagles B-side from Hotel California, but it is pretty strong. The arrangements are tight and the performances are dead on, but the album never feels anything but organic and loose. 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