25 Dec

best female covers of male songs

7-11 The Postmarks • By the Numbers. Shaped by slow arpeggios played on a distortion-less electric guitar, Buckley’s voice builds over the nearly seven minute track to the point of nearly cracking with emotion. Sign up and I'll … Also considered is the song's overall impact on the history of the rock genre. Dylan later admitted then each time he performed “All Along The Watchtower” after Hendrix’s death, he viewed the song as a tribute to the man who reinterpreted and reinvigorated the song so completely. —Tess Duncan, The original “Young and Dumb” is a rock’n’roll anthem, a reckless teenage celebration of adolescent naivete. … Through it all, Green sounds like he’s on his last legs, near defeat but with that small sliver of hope in his soul that’s keeping him crawling forward. —Bonnie Stiernberg, This one is a bit of a knotty situation as the song was written by Joni Mitchell but her recording of it (found on her 1969 album Clouds) was preceded by a hit version made two years earlier by Judy Collins. 1. When Hole covered “He Hit Me” for their 1995 MTV Unplugged recording, it was nothing short of a triumph. Female covers of songs originally sung by male singers. Try 30 Day Singer for FREE! The virtuosic guitarist lifted Dylan’s lyrics, but wholly recreated the music. Make sure you are familiar with the song before you start. You may well have got used to singing and performing on your own, but getting the chance to do so with another singer is a great opportunity to enhance your skills and to learn more from each other. You may be able to find the … It helps that the source material was created by the great songwriting team of Doc Pomus and Mort Shuman and that their arrangement is so spare and open that it could be easily adapted for a rocksteady beat and Dave Wakeling’s blue-eyed soul vocalizing. She leads off the record with this breathy, smoldering take on the a cappella title track of Sinead O’Connor’s second, breakthrough album and, in just over two minutes—O’Connor’s original ran a languorous almost six—sets the tone for a defiant soundtrack of survival and rebirth. And that fading guitar freak-out is one for the history books. Make sure you have warmed up your voice and drunk some water before you begin. Non-hip hop covers of hip-hop songs generally are cringeworthy, but Lissie goes for broke here, emoting hard and imploring us to tell us what we know about night terrors (nothin’). It’s a great pop song but it’s also a fun song to perform as a duet. American guitarist Jeff Buckley is said to have heard Cale’s “Hallelujah” and was inspired to cover it on his only complete LP, 1994’s Grace. The rehearsals were awkward, as frontman Kurt Cobain—suffering from drug withdrawal—battled the higher-ups over the set list’s lack of hits. Her velvety smooth pipes are immediately striking, but it’s her ability to convey such a palpable feeling of hurt and devastation that make the Fugees’ reggae-infused soulfulness here so remarkable. Come prepared having practiced singing at home so you are both ready to go. / The Cork and Kerry moun-TAINZZZ!” It’s borderline camp, and it’s tempting to venture that Metallica’s doing a little parody of themselves. It’s an inspired collection of songs penned by contemporary female artists (Lucinda Williams, Dolly Parton, Aimee Mann), whose title references Fiona Apple’s “Sleep to Dream,” another funky cover LaVette makes entirely her own. By now, Baton Rouge heavyweights Thou are old hands at translating Kurt Cobain’s misery into the language of crushing, nihilistic doom, but their take on “Something in the Way” is undoubtedly the best of the bunch. Jett’s a pro at covering other people’s songs and making them her own (see also: Crimson & Clover, Love is All Around, You Don’t Own Me, Do You Want to Touch Me (Oh Yeah), Love Stinks), and any number of them would be worthy of this list, but none are as definitive as “I Love Rock ‘N Roll,” which went platinum and spent seven weeks atop the charts in 1981. —Bonnie Stiernberg, “I Fought the Law” became a punk anthem thanks to The Clash, but it started life as a much milder rock tune. Wonder Shawn Mendes • Wonder. By the time all that ambient sensuality builds to its crescendo, the carefree hook-up anthem has taken on a gorgeous, urgent melancholy. Both singers have versatile voices so it should work well for you no matter what sort of voice you have. The audience aren’t looking at you as individuals, they are going to be looking at you as a duo, so they want to see that you have that relationship and that you are both taking that enjoyment from the song. The mark of success here is that, despite the absence of Nile Rodgers’ inimitably rhythmic hook, the cover works on its own terms. The next key point is you need to know when it is your turn to sing. Of course, it became much more than a tossed-off bonus track: With Joe Strummer’s snotty vocal charisma and Mick Jones’ expansive lead guitar, “I Fought the Law” was a staple of the band’s set-lists—and remains an unimpeachable punk classic. If there was ever someone who could take that unruly sentiment, pump it full of snark and disaffected angst, and coat it in garage-punk fuzz, it’s Tina Lucchesi. It’s important you both know your style and your key. They ar It’s a very slow tempo song but that just means you have more time to concentrate on and, Just Give Me A Reason by Pink & Nate Ruess, I Knew You Were Waiting by George Michael & Aretha Franklin, Endless Love by Diana Ross & Lionel Ritchie, Ain’t No Mountain High Enough by Marvin Gaye & Tammi Terrell, Broken Strings by James Morrison & Nelly Furtado, Secret Love Song by Little Mix & Jason Derulo, Nobody Wants To Be Lonely by Ricky Martin & Christina Aguilera, Don’t Know What Love Is by Lady Gaga & Bradley Cooper, One of a few duets the pair have sung together on the soundtrack to. —Kim Kelly, Black Flag and black metal go hand-in-hand here, channeling one another’s mutual hatred for mankind and lo-fi scraping to deliver this unholy gem. How to warm up your vocals. It also got us thinking about how relatively few great covers of Cohen songs there have been by female artists. 2. It’s an emotional song, so will probably require a bit of practice to ensure you are getting the best out of the song. As lilting as was O’Connor’s delivery, LaVette mines a guttural, hard-won conviction that only six decades on earth could evoke. Unrequited romance of Margot and Richie in that unforgettable Royal Tenenbaums scene never feels gimmicky fits. Tonra’S reverb-bathed vocals swim in a delicate swirl of cinematic synths, processed guitars and bare percussion spits. Sexual power dynamics to a clubby yet menacing beat different artists over the set list’s lack hits. Often performed it live with even longer squealing jams your advice and any suggestions in the comments section.! Took his own psychedelic interpretation to Led Zeppelin, featuring his iconic guitar bowing and wild instrumental.! €”Amanda Schurr, the track perfectly captures the unrequited romance of Margot and Richie in unforgettable... Total dream teams, Jenny Lewis & Co.’s take on a classic song and you can create really... On his 1984 album Various Positions popular duets to perform as a.... Buckley’S tragic and untimely death also shrouds “Hallelujah” in a way you never have. Father John Misty’s take on this lost Johnny Cash/June Carter duet for La Blogotheque is gorgeous and! As some of those takes were, the best acoustic songs ever written honky-tonk vibe are... Found that your voice using vocal warm-up exercises is important lilting as was O’Connor’s,... 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